Calendar of Events

Penick Academic Complex, Art Gallery

In the first decades of the twentieth century, the writings of the atheistic philosopher Friedrich Nietzsche were a powerful inspiration for the artistic and literary avant-garde communities in Berlin, Dresden, and Munich. His exuberant affirmation of the “vital forces” of life, anti-authoritarian iconoclasm, and withering condemnation of Christianity inspired artists and writers in their search for a new future that would liberate humanity from the suffocating aesthetic, cultural, political, and religious conventions derived from the Judeo-Christian tradition.

Yet, why does biblical imagery saturate Expressionist literature and the visual arts? Was God Dead? Biblical Imagination in German Expressionist Prints explores this question through a broad survey of nearly fifty works from such important artists as Max Beckmann, Lovis Corinth, Kathë Kollwitz, Otto Dix, Christian Rohlfs, Schmidt-Rottloff, Vassily Kandinsky, and Edvard Munch, among many other important representatives of Expressionism, including key members of the influential avant-garde movements Die Brücke and Der Blaue Reiter.

Was God Dead? demonstrates the important role that Biblical imagery played in the German Expressionists’ subject matter, which deepened the impact of their innovations in medium and form.

Lecture and Reception Dates: Discussion Panel - Thursday, November 13th at 4:30 PM in Harvey Auditorium.

Sandra Bowden