Research
Research Interests
Selected Writing
"Notation and Rhythm in the Medicean Gradual" in Performance Practice: Issues and Approaches, ed. Timothy Watkins. Ann Arbor: Steglein, 2009.
Prosody and Rhythm in the Post-Tridentine Reform of Plainchant
David Huron and Joshua Veltman. "A Cognitive Approach to Medieval Mode: Evidence for an Historical Antecedent to the Major/Minor System." Empirical Musicology Review 1/1 (2006): 33-55.
"Syllable Placement and Metrical Hierarchy in Sixteenth-Century Motets." Computing in Musicology 14 (2006): 73-89.
"Textual and Melodic Accent in Gregorian Chant."
"Mensural Rhythm, Syllable Placement, and Metrical Hierarchy in Sixteenth-Century Polyphony."
"Nightway Yeibichai Songs and the Navajo Worldview"
"The Significance of Music Perception and Cognition for Historical Musicology"
"From Chant to Clausula to Motet: GO"
Textual Accent and Mensural Rhythm in Sixteenth-Century Settings of the "Pater noster"
"Recent Developments in Textual Scholarship and Their Application to Music"
Review of: Jean-Jacques Nattiez, Music and Discourse: Toward a Semiology of Music (1990).
"Strategies for Hearing the First Movement of J. S. Bach's Fifth Brandenburg Concerto"
"The Instrumental Evolution of Stravinsky's Les Noces"
This page is from the personal website of Joshua Veltman. If you arrived here from an external link, e.g. from a search engine, and/or do not see the menu at the left, please click here to load the homepage.